mothwing: A wanderer standing on a cliff, looking over a distant city (Book)
"The majority of people are white, so what's wrong with them being on billboards in the majority of cases?"

A work/friend of mine recently showed her class extracts from Blue Eyed and subsequently discussed a scene in it in which a billboard with a good-looking white, middle-aged and obviously affluent couple are shown. Pretty much unanimously, the class came to the above conclusion. Now, statistically this seems to be true, but srsly. We'd like them to knoy what's problematic about that statement, but are at a loss on how to achieve that. What I could come up with on the fly was:

1.) To ask them if they think that these billboards should show people who represent the national average of what people look like (I'm assuming here that that'll not be a very good-looking, affluent, elderly white couple) and why this isn't on it if they want the majority represented.

2.) To ask why there has to be a couple at all on this product, and if this product is only for white married elderly people.

Basically to make clear that this is a constructed norm and make them think of ways in which this is harmful - because what happens if you don't belong to that norm? Maybe also showing them quote by Adrienne Rich might help a bit, too: 

"When those who have the power to name and to socially construct reality choose not to see you or hear you ... when someone with the authority of a teacher, say, describes the world and you are not in it, there is a moment of psychic disequilibrium, as if you looked in the mirror and saw nothing. It takes some strength of soul—and not just individual strength, but collective understanding—to resist this void, this non-being, into which you are thrust, and to stand up, demanding to be seen and heard."

So yeah, grasping a straws here.

Help, oh wise flist?
mothwing: A wanderer standing on a cliff, looking over a distant city (Book)
Oh, Greenline. I used to love you and I still think you're better than Cornelsen. Still, what on earth ARE you people thinking?

This is the supplementary material that people find on your homepage - a unit on what it's like, being a teenager, including ~voices of teens~ and their view on gendered and gender stereotyped hardships they have to deal with ("Girls are more supportive of each other", "girls are more superficial", "boys don't cry", "boys want sex").

This starts badly enough with this: 



Nice use of colour coding and of stereotypes, there. Also, how are teenagers even supposed to know whether they're "true" or "clichés"...? Scientists aren't sure about this, what good does it do to do a fact-free, gut-feeling based discussion on this? Then, at the end of the texts that follow and which aren't much better (well, the authors are young, I thought), there's this:



Now, Klett, Is this really what you want to teach your kids? These "facts"?

It's also fun that observations based on gender seems to be the only case left in which it's fine to use stereotypes as the basis for any discussion, and it's also not even encouraged to specifically look at differences between those social groups - it's been a while since students were encouraged to draw a table listing the differences between black and white people, for example.

People.

Wednesday, January 26th, 2011 03:50 pm
mothwing: "I can't be having with this" next to the grim looking face of Granny Weatherwax (Granny)
People.

I know that you're all super busy with all your lesson plans and stuff, and I know that most of you sit through their didactics seminars pretty much on autopilot, but I'd like to point out something.

"The boys should focus on Romeo and the girls on Juliet, because all girls can identify with lusting after the forbidden guy."

Think about this for more than five seconds and you'll see that this is a dumb task with a dumber explanation for its existence. It's factually wrong. This is not PC-ness gone wild, this is a factual error that you're making. I think we all agree about the fact that you shouldn't teach kids wrong things. So get a clue, teacher. Especially given the fact that you feel comfortable saying this to me shows such incredible levels of idiocy I don't even know where to start.

I know that you'll say that you can't pay attention to these things all of the time, because the vast majority of people are straight and ID as either of the two, but seriously, do you also not pay attention to misspelt words if students only get one letter wrong because the vast majority of letters in the word are fine?

I know that there is a reason why I'm made so damn uncomfortable by the fact that everybody loves Romeo and Juliet and other straight institutions so damn much, but really, people, there's a fucking limit. 
mothwing: A wanderer standing on a cliff, looking over a distant city (Book)

I have the sneaking suspicion that there are more and more aggressive and stereotypical gender-norm affirming messages in today's German EFL books than in the ones we had in my school days. You may say that I am only saying that because I have only vague and fond memories, but I checked. I couldn't find examples similar to the ones I fond in today's EFL books anywhere in the eighties editions I have at home.

While working with the new editions during the last half year, I found gems like these: 

1. In the noughties edition of Green Line A1 for learners in their first year there's a dialogue on various school activities and the plans people are making for the weekend. It's a very short dialogue and briefly runs down the various activities the school offers, their times and places, and then includes an exchange along the lines of: 

"Oh yes, we could go to a concert, there's this band I like, called FourYou..."
"Oh, not a boy band, Donna! Ask another girl to come with you, I want to play ball in the park with my friends instead."

2. Also in the noughties edition of Green Line A4, there is a dialogue entitled "Football for girls?" in which two girls debate whether a team for girls would be a good thing to have at their school. One argues that girls "are just not as good as boys" and therefore a football team for girls would not be a good idea, but then acknowledges that it might be a good idea to try out a team, anyway, and see who shows up. In the end, she still says that boy's football is better because of their butts. Because girls cannot like football for the sake of the sport, they must like it for the sake of the players.

3. In the 2001 edition of Camden Town 4, the book for the Realschule, we have the usual national stereotype text in the first unit. What's typical for US America (fast food and chewing gum), what's typical for Great Britain (queuing and tea), what's typical for Germany (according to my student, who had to think about this for a couple of minutes, it's "Potatoes.")? That sort of thing. Our protagonists eat in a fast food restaurant, discuss national stereotypes (fast food is apparently super different in Great Britain's McD's), and then they decide what to do with their afternoons, leading to this exchange: 

"We could go shopping!"
"Ugh, Shopping is a girl's disease!"

4. Another one from the Green Line series,  this time A6. They have an excerpt from Nick Hornby's "Slam". Not a bad idea as such - there is a learner's edition that goes with it which they could read after reading the excerpt, and it's in a series on "Growing up". My problem? Slam offers the  teen father's perspective on a teen pregnancy. While it's a good thing that there is someone who writes a book about teenage fatherhood in the first place, in A6 this appears to be the only text on teen pregnancies after a lengthy unit on the perils of alcohol intake and drugs. Also, there's the casual transphobia, among a lot of things that made me uneasy about Slam.

So, you might think this are really minor things, but usually, people make very careful decisions on what is supposed to be included in those very short recorded dialogues and why.

So why is it so vital to remind today's EFL learners of what is proper behaviour for their gender in their English classes? Why do ten-year-old kids need to learn that it's embarrassing for boys to like boy bands? Why do fourteen-year-olds have to be told that shopping is for girls and that it's highly unlikely that girls can be good at football and should look at butts instead?
mothwing: "I can't be having with this" next to the grim looking face of Granny Weatherwax (Granny)
When his weird American aunt dies, Matthew's cousin Sam comes to live with Matt, his SAHD and mother, and soon makes social life very difficult for him and his friends. They decide to give Sam a second chance if he can prove himself by infiltrating the local girl gang ("The Bitches". Yes.) as a girl, but soon changes and things go ~out of control~, the more so when Sam is predictably hit on by the class heartthrob, gets in touch with his emotions and falls for a girl, etc, etc

This book is one of the recommendations for queer fiction in one of the most popular German textbooks in the country, so obviously I had to investigate. I was disappointed very soon. In my opinion, if there was some kind of shitlist that warns readers of books which include trans- and homophobia in spades, "Boy2Girl" would definitely need to be on it.

I can't even put to words how much I loathe the entire "cross-dressing is hilaaaaarious! Especially if MAAB people do it!! But only so long as they get reaffirmed as cis, straight, manly masculine guys pronto!!"- thing. It's fucking annoying, and I don't get what the appeal of this book would be to cis/het people, either. Does it say to them that cross-dressing is only for wacky comedies? That, following the blurb, "hilarity ensues" once you overstep the reinforced steel boundaries of your gender? Because it certainly doesn't show that it's ok to do just that to me - there are scenes in which that seems to be the case, but mostly, there is a character to add a judgemental voice to the choir as soon as someone does the overstepping, which might be realistic, but unhelpful.

None of this wouldn't be redeemable if it wasn't cut off after the scene in which it is revealed to the general public that our hero is "really a boy" (uuugh big reveal scene ugh), and even though his entire character changed a lot (and for the better, seeing as how he seems to be much happier by the end of the book) it's unclear what will become of this change once he,  back in his male role, is no longer required to be ~girlish.

My biggest problem is that we get to read the voices of all characters apart from Sam, so there's no saying what he takes away from this, what his views and feelings are.

So, did I miss anything? Is this secretly good and I missed something because I was busy facepalming over people going on about "the g-word"?

And why anyone would want their kids to read this mess?
mothwing: "I can't be having with this" next to the grim looking face of Granny Weatherwax (Granny)
Trawling the internet in search for an article (which I'll have to pick up at the uni library. No e-copies for this one), I found this workbook that is supposed to up the readers' vocabulary in preparation for US standardised tests:




Now, I agree that this series is God's Gift to ESL teachers because everybody, or at least every single one of my wee tutees over the age of fourteen, have read it in English - even if they're really weak learners, so I agree, this can be a powerful teaching tool and motivator to get kids interested in reading a book in a foreign language. Learners.

I didn't know native speakers needed to revise their knowledge of the meaning of "marble", "murmur", or "butterscotch" for their SAT scores so badly that there needs to be a workbook.

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